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Philadelphia has actually a long history when it involves printing. There were Ben Franklin"s press, the very first U.S. Currency, the very first copy that the statements of Independence, pamphlets, books, magazines. Numerous of the records that shaped American background had their start on a printing press in Philadelphia.

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So, with history as a backdrop, the city is abuzz through exhibitions, cumulative public works and also visual happenings, arranged in a gigantic print festival referred to as Philagrafika. Much more than 300 artist at 80 venues space participating in this citywide celebration event of the impact of printmaking concepts and also methods on modern art.

The selection of printmaking methods is broader than you could think. As soon as Oscar Munoz functions on a print, he provides trays of water and floats graphite powder on the surface. Regina Silveira cut plastic into the shapes of huge insects. Gunilla Klingberg turns corporate logos into vast mandalas. And Carl Pope creates billboards for communities.

So, with all of these variations, once is a publish a print?

Jose Roca, imaginative director the Philagrafika, claims that contemporary art "has blurred the boundaries" — and that"s both a great and a bad thing.


Roca functioned for five years through a group of Philadelphia-based curators to develop the festival. He says that regardless of the liberties artists take v the principle of print, some basic principles apply.


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"In mine opinion, a print needs to have at least three components," Roca says. A matrix, an ink and also a support. The support can be paper, cardboard, a wall, skin, or even video.

Inside the Pennsylvania Academy that the well Arts, an unusual music video by the Indonesian art group Tromorama is being projected ~ above a large screen. The pictures are rendered entirely with stop activity animation, using an old print technique: woodcuts. Exterior the screening room, 402 that the blocks provided to create the woodcuts are on display.

"There is a type of democratic balance in between the video clip and print," states Julien Robson, the academy"s contemporary arts curator. "They stand for a really different sense of time. The video is very fast and also the procedure they offered to do it — it"s very laborious way of making things. Really hand-crafted."

In fact, the common denominator among all the works in Philagrafika is the usage of timeless print innovations with a contemporary twist.

Deborah Wye, chef curator of the print Department in ~ the Museum of contemporary Art in brand-new York, claims that artists working in timeless workshops now have actually the advantage of computer system capabilities.


"An artist have the right to have the computer system as part of an additional process," Wye says. "As one more tool, as with someone provides a burin or a gouge for woodcuts ... Currently there"s a computer for other possibilities."

Another variation on printmaking is the work of Colombian conceptual artist Munoz. It"s focused on the distortions of memory and also the deceived of time. Because that Munoz"s work-related Narcissus, that floats picture of self on top of a tray the water.


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"I was an extremely interested in the solution man has invented ... Come remember and retain, even in distorted ways," Munoz explains. "With Narcissus, I want to discover the graphic and poetic possibilities the water."

Munoz states he take it graphite powder and silk-screened his picture on the surface ar of the water in a shallow white tray.

"Time, weight and subtle vibrations in the room created different portraits — some blurred, some unrecognizable — as the graphite resolved at the bottom of the tray," Munoz says.

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Narcissus then is around not just the fragility that memory, yet the really image itself. And also it illustrates simply one that the many ways contemporary printmaking has actually transcended the constraints of paper.