George Russell"s book, The Lydian Chromatic concept of Tonal Organization, very first published in 1953, to be the very first theoretical donation to come native jazz, and also was responsible for presenting modal improvisation which resulted in the seminal recording of mile Davis" "Kind that Blue."

Since it"s publication, there have been scores of publications on the sector which have actually "borrowed" bits that the Concept"s information, however there is only one original.

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" to be the good path-breaker because that Miles Davis and John Coltrane"s modality." - Joachim Berendt, The Jazz Book.

GEORGE RUSSELL"S LYDIAN CHROMATIC concept OF TONAL ORGANIZATION, very first described in a self-published pamphlet in 1953, marks a radical growth of the harmonic language for both ingredient and analysis and also marks one abandonment the the major-minor mechanism which conquered Western music because that over 350 years. Radical together it may be, the theory is an ext than one person"s eccentricity, having actually considerable precedent in the work of Ravel, Scriabin, Debussy and in several of the learned works of Bach. Words "Lydian" is here acquired from one of the classical Greek range modes. Russell"s source scale follows the natural overtone collection and runs from C come C through F sharp, rather than the customary F herbal of the significant scale.

For searchers prefer Miles and Coltrane and also Bill Evans, and also many in the generations that followed them, Russell"s theory detailed a harmonic background and also a path for more exploration. It additionally gave climb to the "modal" jazz activity that enjoyed great popularity in the 70"s and also 80"s for much better and for worse. We must not underestimate the level of Russell"s enterprise. His work-related stands head-to-head with Arnold Schoenberg"s "liberation" the the twelve-tone scale, the polytonal work of Stravinsky, and the ethnic range explorations that Bartok and Kodaly. If you"ve listened to jazz throughout the critical fifty years, you"ve heard a great deal of George Russell"s ideas; he is one of the 20th century"s good originals and one of its bravest innovators.

Having finished this work, Russell is completing an additional volume on related facets which he has been simultaneously arising over the last several decades.

The Lydian Chromatic ide of Tonal organization was increased several times end the years, and has get an impression greatly due to the fact that its first appearance in 1953. The is with pride and also pleasure that we existing this fourth and final edition.


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Click here to visit www.lydianchromaticconcept.com for much more information on George Russell"s book "George Russell"s Lydian Chromatic ide of Tonal Organization.
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"When you acquire a totality band come play choose that, it"s few of the most beautiful music you deserve to have in the world. If you could sit down and also write stuff like that out...well, some human being do, prefer George Russell. He created stuff favor that and also it was incredible." Rashied Ali, contemporary Drummer, January, 2003.

“The Lydian Chromatic ide is among the two most splendid books around music; the various other is My musical Language by Messiaen. Despite I’m thought about a contemporary music composer, if I dare categorize myself as an artist, I"ve been strongly influenced by the Lydian Concept, i beg your pardon is not just a music method--we might contact it a approach of music, or we might speak to it poetry.” Toru Takemitsu, Swing newspaper interview, Tokyo.

“The straightforward melody was an experiment influenced by an night Miles had spent with...George Russell who at the time was functioning on his...Lydian Chromatic Concept...Miles to be fascinated through Russell’s approach. Below was a method for breaking free from tonal cliches while preserving some quantity of restraint. Soon after his evening through Russell, Miles recorded his brand-new composition demonstrating Russell’s basic principles.” Round about Midnight: A Portrait of miles Davis through Eric Nisenson, Dial Press, brand-new York.

“Consider the circumstances. Miles took his musicians into the studio for the first of 2 sessions for kind of Blue in March, 1959. At the moment modal jazz...was no an entirely new idea...Originally, the idea because that this kind of playing v the concept of composer George Russell.” Liner notes for sort of Blue by Robert Palmer, Columbia 1355.

“Russell is responsible for what continues to be the most significant single theoretical treatise written around the music.” Morton and also Cook, The Penguin guide to Jazz, Penguin Books. London.

“Surpasses any kind of musical expertise I’ve been exposed to.” Ornette Coleman

“Gives girlfriend so much much more to job-related with.” Eric Dolphy


postcard native Eric Dolphy ----->
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“George enlightened me around a different way of playing music, one analytical means which allowed me to walk on learning around music on mine own.” Jan Garbarek

“The foremost theoretical contribution of ours time---destined to become the most prominent philosophy of the future.” David Baker

“Far ahead of any book in the field.” Gil Evans

“The past, the present, the future, all in one. A should for the major musician.” Art Farmer

“Miles Davis ended up being the first major jazz musician come be affected by Russell’s ideas, and in 1958 that composed...Milestones, which was based upon two modes...He recorded turning points with Coltrane ~ above April 3, 1958, and also both males felt liberated by the new harmonic philosophy. Davis ongoing to work-related on Russell’s concepts, and...he produced five selections for the first all-modal album, kind of Blue.” Stan Getz: A Life in Jazz by Donald Maggin, wilhelm Morrow, brand-new York.

“It is undoubtedly quite possible that much of the jazz rock of the seventies would not have existed if the weren’t for Russell’s pioneering work.” Eric Nisenson, Music and also Sound Output.

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“The an initial work deriving a theory of jazz native the immanent legislations of jazz, no from the legislations of europe music. The principle was the an excellent path-breaker for Miles Davis’ and also John Coltrane’s modality.” The Jazz publication by Joachim Berendt, Lawrence Hill Books, Chicago.