With the exception of a couple of minor hiccups in their discography, Corrosion that Conformity have the unique legacy of making influential, if not all-together legendary, albums in many genres. Their resume is a mile long, and for the many part, each album has its very own bangers and borderline cult followings, also the persons that loss a little much shorter than others. Everyone has actually their favorite, and also their early brochure is normally the hot choice for most. And also for good reason--those documents are timeless. However one album of theirs that seems to always fall with the crack came not in the 80"s or 90"s, throughout their proverbial heyday(s), but in the mid-2000"s. An album without legend drummer Reed Mullin. One album the signaled the end of Pepper Keenan"s involvement in the tape (for the time being, as we found out), and the standing of the band together a totality thrown right into the air. An album that, come this reviewer, is not only their finest work, however one the the ideal albums that the past quarter century, if not longer: "In The eight Of God", Corrosion the Conformity"s magnum opus. And today, fifteen year to the day because the relax of the album, its an ext than earned its moment of glory. An initial off, a disclaimer: words RIFF is going come be used often, there is no shame. Deal with it. If you know Corrosion, this need to come as zero surprise. The album"s opener, "Stonebreaker", kicks off with a bluesy, practically ethereal intro that would makes likes of Pink Floyd and Deep purple proud, directly into among those calling-card southern riffs that CoC has come to be famous for. And also then you"re swung ~ above by one more Iommi-esque riff. And also another riff shortly after. One song in, and also it"s a bonafide manufacturing facility of crush. "Paranoid Opioid" fires up following with a chugging, swinging, headtrip of a jam. In lieu that Mullin"s absence, this album is graced by Stanton Moore top top the kit, and also this song reflects Moore"s chops off beautifully. Acquisition absolutely nothing away from Reed (RIP), a legend by all rights, Moore make this document his bitch, and "Paranoid Opioid" was the an initial sign of his true prowess. Complying with this is "It Is the Way", crawling in with another one of those slow, nodding, soulful riffs. Pepper"s vocals soar end the whiskey-drenched bars, and along with Woody Weatherman, provide those guitars a 2nd voice every their own alongside his own. "Dirty Hands north Pockets / already Gone" is increase next, and Mike Dean come in glowing on the bass, laying under low, funk-based lines while Pepper spits borderline spoken-word over optimal of them, all before the foot hits the gas, and also you"re unexpectedly going 120mph on the backroads, in true CoC fashion. Up following is the darker, swampier, virtually voodoo-laced "Rise flow Rise", finish with acoustic guitars, mournful howls indigenous Pepper, an nearly suspenseful cadence native Moore, and also an overall atmosphere that screams bayou. It almost feels like something you"d intend to listen on the banks of the cemetery-flanked Nola channels. Miscellaneous that must be mentioned is the very clear Led Zeppelin influence in this album, an ext than any type of of that is predecessors. Ns say this now, due to the fact that it"s here that we reach the eight-minute "Never transforms To More", which is Corrosion that Conformity"s "Achilles last Stand" to me. CoC"s full musical ability on screen like never before. This is the apex of exactly how talented these guys really are. Every solitary piece that the puzzle fits perfectly. The riffs, the drums, the bass, the atmosphere, the progression, the peaks and also valleys, you name it. This is masterful. You feel this song. It"s an experience, and the to mark of the album for me. You can ask exactly how that have the right to be adhered to up, especially halfway v the album. The answer? "Infinite War", a three and a half minute churning neckbuster, especially designed to pull you out of the clouds and face-first into the dirt. Woody throws down some vocals on this one, and it just provides it a rusty, knuckle-cracking feeling. Complete beefcake, begin to finish. "So much Left Behind" trods up behind, marching in with another Zeppelin-esque crawler, giving this reviewer "Kashmir" vibes, in the best means possible. A reminder of the cap, and a bang of the head, come say the least. Perfectly done. "The Backslider" is increase next, floating in with one more CoC/Sabbath/bluesy-boozy riff. This screams "Sabbath Bloody Sabbath" era Sabbath, with that CoC flare welding the cracks together. It"s another example the Corrosion of Conformity doing what they perform best, to the ideal of their ability. Simply a diamond that a song. "World on Fire" follows up with one more full-throttle, shoot on every cylinders, turn off to the fucking races item of southern steel glory. One of those licks that provides you desire to stomp her gas pedal v the pavement. You also get a slight dose of Joe Walsh worship towards the finish of it, another perceived classic shoutout. That fades out right into "Crown of Thorns", the slowest piece on the album. One acoustic item at simply over two and a fifty percent minutes, it"s a an extremely 70"s item that"s equal parts spacey and also smokey, favor the soundtrack to a joint lit top top a wooden porch in ~ night, staring in ~ the moon, fifty percent drank bottle at her side. It paints a picture, plain and also simple. Out of the haze, you ultimately hit the album"s closer, and also title track, "In The arms Of God", that goes complete crescendo v drums, guitar, and also bass producing a wicked, anticipatory pulse that builds to one of the hardest, ugliest riffs on the entire album, all yet assuring your regional chiropractor a sweet payday from the onset. Chaotic, full force, in your face. A little more than halfway through, it provides you a couple of seconds to breath with a well-placed interlude, before bringing the riffs ago a hundred-fold, with an additional contender because that "Riff of the Album", slamming you with nothing quick of a sludge-driven tombstone piledriver. Hand down, it"s among the best ending tracks of any type of album, and also caps turn off "In The eight Of God", both song and also record, in epos fashion, leaving friend craving more. Production-wise, this is far and away the finest Corrosion that Conformity has ever sounded. Nothing is drowned out. Every ingredient come the formula is ideal there, no overshadowed by any type of other. The guitars room tight, the bass is clear, the drums punch. The cleanest they"ve ever sounded, bar-none. In songs choose "Never turns To More", "So much Left Behind", "Paranoid Opioid", and also the title track itself, this is much more evident than most, through the more-complex song structures no falling apart v the ns of one of the pieces. Lock never fall at all. Much from it. There isn"t a monitor on this album the isn"t all-together "there". Not a twitch in the system. Pepper Keenan to be quoted at the start of the year together saying this document was "the ideal thing I"ve ever done". I couldn"t agree through him more. This is an pure masterpiece, and also criminally overlooked in the big picture. Through those classic albums forever acquisition the spotlight, "In The eight Of God" take away a backseat a good amount the the time. And while those albums worthy every little bit of credit they get, this album deserves a mountain of praise and then some. It isn"t just a sludge/southern/stoner album. It"s much an ext diverse, deep, and expansive than that. This is rock and also fucking role at an upstream level the very couple of have touched. "In The arms Of God" brings aspects of the legends that yesteryear to the table from begin to finish, when dosing each giving with CoC"s patented venom they"ve perfected end the years. Fifteen years later, it"s the much more evident exactly how incredible that is. It"s aged favor expensive whiskey.

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It proceeds to stand the test of time. This is Corrosion of Conformity at their absolute finest in every aspect.